Forum Replies Created
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- June 25, 2014 at 1:51 AM
- in reply to: OVA3 / GXP
JGZinv wrote:I skimmed, but you’re wrong on this one Pii:
evilpii wrote:
The GP do not attempt to recruit Tenchi, so I believe you mean Seina. I could see the GP seeing Ryo-Ohki destroy Chobimaru and see it as a superior ship, thus making them want their own (i.e. Fuku). However, this circles back to how Washu would not create another.The GP “did” try to recruit Tenchi, it was Amane’s fault that she thought Seina was Tenchi and gave him the GP brochure/pad/beacon.
She was there on official business to recruit him so the GP would have claim on Tenchi’s power.
Unfortunately, you are mistaken. I rewatched the first four episodes ofGXPearlier today, and I just doubled checked in both sub and dub. Amane asks Seina, She knows Seina is not Tenchi. She then continues by talking about Ryoko and Ayeka’s collateral damage, whereupon she offers the pamphlet for the GP to Seina. As she leaves, she shoves a paper bag into Seina’s hands, saying “Give this to Tenchi-kun for me.” The first four episodes do not reveal what is in the bag, so it could be another pamphlet. However, it is not evident from the episode’s content. Moreover, the“Is Tenchi-kun training you hard?” with Kiriko, Amane, Airi, and Mikami does not mention Tenchi ever. If there is further evidence inentire exchangeGXPthat support the “Recruit Tenchi” hypothesis, I would be open to seeing it. Nobuyuki wrote:evilpii wrote:Who is Kasumi, and where is she mentioned in the three OVA series?
This is probably the root of your hangup, piiguy.Kajishima’s continuity encompasses more that the anime. Those
he wrote, as well as his doujinshi, are a part of it. It’s a multimedia story he’s been creating, like it or not. That’s why we have the translation projects, to find out what we’ve been missing on the non-jp. side of the planet.True Tenchi Novels
If one has to goto an outside media to fill rectify an issue with the story, the story is incomplete as presented. Unfortunately, that means this issue it is still a plothole for the anime. Also, as these novels have not been translated and are printed in limited numbers, these facts are not well-known, even to all Japanese fans. While big franchises such asStar Warsand Star Trekhave a history of having apocryphal information in other media, the main series typically do not have plotholes and contradictions. Each story can stand alone without a study guide. If Kasumi was to be a plot point, she should be in the anime. Nobuyuki wrote:
evilpii wrote:series 1 Ryoko had an image of being fearless and strong,
But not as strong as Katsuhito (episode 3).mmhmm1
I do not see how that is relevant. Kagato was stronger than she was, at least when holding back for Ayeka, and still fought him. Her strength is not just physical. She is also strong-willed. I note again in series 1 episode 6 where she does not back down even after being turned to stone. Even inHexagram of Love, she stands up to Azusa, despite the threat of having the Divine Response Warrior hounding her until she dies. Nobuyuki wrote:
evilpii wrote:However, series 2 and 3 paint her differently:
Hello, Zero!
The “Zero changes Ryoko” argument only holds after series 2 episode 5, and I am not counting Zero’s impersonation as “Ryoko”. In series 1 episodes 2-3, Ryoko is not her usual brash self. In episode 1, they are taking care of Taro, so Ryoko is understandably more subdued, presumably for the baby, reminiscing about Tenchi as an infant. However, episode 2, she gets roped into peeling potatoes. Why would she do that for a stranger when she does not help around her own home? Why would she follow the orders of an old woman she barely knows? In episode 3, Ryoko is mainly a farce, getting smashed in the head with tanuki statues, slapped in the face with books, and running headlong into forcefields. She is comedy relief, not the battle-hardened woman from series 1. She even gets outdone by the humanoid masu, who blasts her aside so Ryo-Ohki can take the spotlight.Nobuyuki wrote:
evilpii wrote:And, this is more reason for a separate continuity.
If you wish, you can consider his continuity from OVA 1 as separate as from Hasegawa’s offshoot and the manga, already.
I already do, but I was meaning something more drastic. If Masaki Kajishima wants to rewrite series 1, rather than retconning it in later series, I propose he just start over. He could redo the first series as he wanted it, rather than pollute the original with plotholes, contradictions, and dei ex machinae. That way, everyone wins. Those who like series 1 can have it, isolated and pristine, and those who like Kajishima’s work will have exactly what he intended. After all, that seems to be what Hasegawa did with her second and third novels. I eagerly await the next translation as it appears to be a retelling of series 1 episodes 2-5.- June 24, 2014 at 4:23 PM
- in reply to: OVA3 / GXP
Nobuyuki wrote:For Washuu wrote:
evilpii wrote:
Azusa had an issue with Yosho about him having a child with a Terran, but in series 3, he is married to Airi, who moreover states that she is Masaki Kiyone’s mother. Is this not a contradiction?Er… maybe Azusa is refering to an earlier wife?
Such as Funaho’s niece, Kasumi. Badmouthing her would set Funaho off. And it looks like it did.
Who is Kasumi, and where is she mentioned in the three OVA series? In particular, if Yosho had been married to Empress Funaho’s niece, would she not have been mentioned in Funaho’s scolding of Azusa in series 2 episode 6? After all, he would then be insulting two members of her family (her sister and herself), not just some random Terran woman. Also, this seems a contradiction when Airi is introduced. This is a point to clarify when the OVA series is considered as a whole.Nobuyuki wrote:
For Washuu wrote:
evilpii wrote:
In episode 6, Washu reveals her goddess aspect from the two gems remaining in Tenchiken. Why hasn’t she manifested this sooner, say when Kagato took her prisoner or whenShungaimploded into a black hole?
I’ve wondered the same thing, and the best I can figure is that either she wasn’t fully aware yet, or that the threat wasn’t as ultimate as that of Z. Or both.
Never play an ace when a two will do.
I could accept that she was not fully aware of herself, though it seems unclear as to when she manifests fully. In this case, when did her power fully manifest?In the other case where she merely judged the threats not as dire, this causes some problems. If she was fully aware of her power against Kagato or Clay, she could have waved her hand and rectified both situations. More importantly, the episode with Clay aboard
Shungaseems far more Washu-centered. Having Tenchi use his Light Hawk Wings to save Ayeka and Mihoshi seems a strange emphasis shift when all three have been pidgeonholed in the bowels of the ship for the entire episode, and all the action has been focused on Washu. Why not have Washu be the savior for her own episode? Moreover, as a goddess, why would she suffer being sealed in a crystal aboard
Soja? Nobuyuki wrote:
For Washuu wrote:
evilpii wrote:
Why are Rea and Noike the only ones allowed to console Tenchi? One would think that Ryoko or Nobuyuki might be better suited for the task, particularly as Ryoko watched over him when his mother died. Also, admittedly, it seems more Nobuyuki’s place as father to explain this to his son.
I’ll reply with my opinion, but only if I get promises from certain people on this board that they won’t follow it up at all.
Damn the torpedoes, full speed ahead!
You can share your opinion if you wish, but not if you do not want to discuss it. The point of a forum is discussion, so asking for a promise “not to follow up” is contrary to that aspect. Please do not misunderstand me. I am not here to ridicule someone else’s opinion, but if I do disagree, I will state it alongside my reasons for doing so. I am more interested in the facts and their logical conclusion than angering a fellow forum member.chucklocker wrote:
Some of the points you raised pii, like whatever happened to Ryu-Oh, seem to me to be due simply to the story going in different directions than it was originally intended, which happens frequently enough in other shows. It’s certainly annoying to be sure, but its often to be expected in long running series, especially when the creative team turned over as radically as it did after OVA 1.
I can accept that since Hayashi and Hasegawa left the project after the first series. This is more reason I am hyped for the novel translation project.Tenchismile
chucklocker wrote:
As for what I’ll call the “second tier” of your points, those dealing with actual plot discrepancies, I think can best be explained by himself:Mr. KajishimaBasically, Kajishima doesn’t sweat the little stuff in favor of getting to the end of the story, which is maddening from a fan’s perspective, and is largely why nailing down one true listing of what is “canon” is such a uniquely troublesome problem in Tenchi fandom.
If he wants to change events or facts, why not just make another continuity? The story could be tightened up and streamlined into Kajishima’s vision in an offshoot, rather than introducing continuity errors into the original series.
chucklocker wrote:
Finally, the “third tier” of your points, those dealing with the changes made to the characters’ personalities, such as Kagato being afraid of Seto, and Ryoko and Ayeka rolling over for Airi, Seto, and Noike, is where most of my frustration comes from. The only thing I can think of is that so much time had passed in real life between OVAs that the characters were simply not the same people in the mind of the writers and show runners as they were back in the 90’s. This led to a lot resentment, I think justly so, on the part of fans who had come to know and love every aspect of the characters, and were now seeing them through the eyes of a creator who’s interpretations had drifted quite significantly in the intervening years.
And, this is more reason for a separate continuity. For example, series 1 Ryoko had an image of being fearless and strong, with a warm heart for Tenchi and merciless to those who would threaten him. However, series 2 and 3 paint her differently: full of bluster, but easily intimated by people with a faction of her power. Series 1 Ryoko would not have stood for the events of series 3 episode 2. Likely, she would have drawn her sword and threatened death like she did with Mayuka inManatsu no Eve. I also cite Ryoko’s confrontation with Azusa in Hexagram of Love, where she faced him bluntly, plainly, with no cowardice. Again, it seems better to parition series 2 and 3 into another continuity, where Kajishima can paint his masterpiece without conflicting with the original. For Washuu wrote:
evilpii wrote:
In “Here Comes Jurai, Part 2”, D3 goes to wipe Clay and Zero’s memories. Why is this, considering that in series 3, Washu is fully realized as a goddess and fully aware of Tokimi’s existence? Would knowledge of Tokimi’s location already be known to her?
I don’t think that’s done because of Washuu – I think it’s more or less to keep Clay from being a pest again by meddling any further into the Choushin’s business. Maybe. >shrug<
I was thinking less of Clay and more of Zero. When Ryoko and Zero merge, Ryoko would then know of Tokimi and her location. How would that knowledge interfere, since Washu could likely explain and perhaps pacify Ryoko’s concerns?For Washuu wrote:
evilpii wrote:
In episode 1, how can Ryo-Ohki get lost? As Washu said, she is the computer unit of a battleship. Also in series 2, Ryo-Ohki is shown able to levitate. Couldn’t she simply float up to see where she is, or go into space and find her home by herself?
I had wondered about that sequence, but I think it’s just that she’s overcome by the situation and doesn’t think really rationally. She’s suddenly alone, and like a little kid she doesn’t stop to calm down and think rationally. (Well, sheisa little kid, you know.) A three-year old has the ability and maybe the knowledge to go to the customer service counter when he gets lost in Wall-Mart… but I doubt he’d think of it.
After chatting with some fellows, there are several reasons why this would not work. First, as stated before, she is a computer unit of a battleship. She has seen combat more frightening than an unfamiliar wilderness, so her getting overcome is unlikely. Second, she is mindlinked to both Ryoko and Washu. Ryoko could have sent a telepathic message to Ryo-Ohki showing her the way, rather than going herself. Equally, so could Washu. Third, Ryo-Ohki multitasks heavily, as evidenced by the battle withChobimaru. She can isolate the child side of herself in that situation while the battleship side of herself is in combat, and is drunk. If Ryo-Ohki let the drunkenness interfere with the battle, she could kill Misao and Mashisu with one of those many precise attacks carving graffiti into the other ship’s hull. Why can she not isolate her childish fears and do what needs to be done to leave the woods? Moreover, I think there is an underlying question here. Ryo-Ohki indeed has the form of a child, but does she have the mind of a child, or an animal, or a computer unit? She has aspects of all three, but which is actually her, if any?
Furthermore, Ryoko and Washu share a mindlink, where Washu knows about Ryoko’s deep desires for Tenchi without any effort. In fact, Washu compares this link to the one between Ryoko and Ryo-Ohki in series 1 episode 6. Also, Ryoko is seen summoning Ryo-Ohki from a distance of miles in series 1 episode 2. However, in series 2 episode 3, Washu needs some elaborate device to read Ryo-Ohki’s mind. Why, particularly as series 3 episode 1 has Ryoko directly upload the way home into Ryo-Ohki’s head? Even then, why does Ryoko have to be right next to Ryo-Ohki to do that?
For Washuu wrote:
evilpii wrote:
In episode 2, Noike is introduced as the adoptive daughter of Seto. Why would Seto adopt a fairly unremarkable GP officer, considering all the scheming that went into her proposed adoption of Mashisu? Even if she was privy to Noike’s contact with Clay, Zed, and Kagato-F(emale), why install her into the Masaki household on Earth? She seems far more of a threat than a boon.
I’d guess it’s because she’s also adopted. She seems to have a thing for adopting people, and she also has a habit of deciding some things on impulse.
Where is Seto’s adoption mentioned in the three OVA series? As for adoptions, she only adopts Noike and offers to adopt Mashisu in series 3. Mashisu at least has reason to be adopted, to marry Misao. What is Noike’s reason?As far as deciding matters on impulse, that seems a poor trait for someone who is supposedly running Jurai by proxy, as stated by Ayeka in series 3 episode 2. After all, a snap decision could easily land the Juraian people into conflict with any of the other political bodies in the universe. See
A Song of Ice and Fire(i.e. Game of Thrones) or real world history for how bad this can become. For Washuu wrote:
evilpii wrote:
Why would Ryoko, or even Kagato, be intimated by Airi or Seto? Ryoko is notorious for sacking and crushing Jurai’s defenses, and Kagato is known as the “Ruins Buster” and is eternally wanted by the GP. I have a hard time seeing either cowering in fear of a single Juraian woman.
I think it’s more because of how crazy she is. I mean… Seto is pretty well a nutcase when it comes to either manipulating people or killing pirates. Ryoko was in a somewhat-stable house situation when she reacts to hearing Seto was coming, so that’s understandable, but Kagato… hm. I guess even insane, ruins-busting, people-killing, planet-busting organists don’t enjoy run-ins with people equally insane? That’s what I’d guess.
Insanity is less the point, but rather power. Where in the three OVA series has Seto shown herself to conquer, crush, and destroy entire cultures for her whims? Kagato is first shown plowing through a GP blockade effortlessly. Ryoko is first shown battling Yosho in flashbacks and destroying Tenchi’s high school. Seto has not been shown anywhere close to this, so why would either be worried about her?For Washuu wrote:
evilpii wrote:
Moreover, why does Noike have Kyoko, a top-secret upgraded third generation tree? Presumably, this would be because of Seto, which emphasizes the question of why Seto would be interested in a no-name GP officer.
Er… more perspective on how haphazard Seto is in her management of people and resources? I dunno.
Mismanagement would be more reason to question why and how Seto could be secretly running Jurai.For Washuu wrote:
evilpii wrote:
Why does Nobuyuki try to kiss passionately his own daughter? That seems very inappropriate, considering he is soon to marry Rea.
He’s a tease. He’s a perv. He’s a bit of a troll.evilpii wrote:
Moreover, why does Airi try to kiss passionately her grandson, with her husband standing just a few meters away?
‘Cause he’s Tenchi, of course!
Nobuyuki knows his first wife is dead and should know his daughter’s face well enough. Moreover, as someone who is agonizing over how to explain to his son about his pending marriage, it seems ridiculous for him to pervert himself over his daughter in front of his son.As for your response for Airi trying to kiss Tenchi, how does him being “Tenchi” make it acceptable for her to act in that way? Again, her husband is standing right there. Even in a close family, that is not acceptable.
For Washuu wrote:
evilpii wrote:
If so many children of Juraian lineage live on and leave Earth, why is Earth still regarded as “developing” or “protected”?
Two reasons: First to give the Juraians some privacy, and secondly because it hasn’t made (public) contact with other planets. Again, just my speculation.
I could accept that.Tenchismile For Washuu wrote:
evilpii wrote:
Noike states that the only first generation tree was Azusa’s Kirito, but wasn’t Funaho a first generation tree?
Haven’t seen that ep. in a while, but are you sure she’s not saying that Kirito is the only remainingactivefirst-gen tree ship? (due to Funaho being stuck on Earth now, I mean.)
Actually, you are correct. She does say “ship”, not “tree”.blush1 For Washuu wrote:
evilpii wrote:
Why is the Kuramitsu family so ready to go to war over Mihoshi? Admittedly, if Kuramitsu Mikami is so close to Seto, couldn’t a more diplomatic solution be given? Also, why is Marshall Kuramitsu Minami cackling like a lunatic and not listening to reason?
More speculation on my side here, but I’d bet that just because Mikami and Seto get along doesn’t mean that the rest of the two families do. Heck, the Kuramitsu family doesn’t agree on practically anything within themself! (well, unless Mitoto is in the room, that is. >_< )
Controlling the family is not really the issue, though both show significant control over the two families. Look at the +1 special, where Mikami and Seto essentially clean up the entire situation in the presence of Tokimi. Notice that Azusa and empresses are nowhere to be found, despite this would likely be in his jurisdiction.For Washuu wrote:
evilpii wrote:
Why does no one notice that Noike is purposefully monopolizing Tenchi, to the point that she seemingly has poisoned him for the purpose of ingratiating herself to him and the household?
And here is where every OVA3-hater (not saying you are one) ends up wanting to cut my head off. ‘Cause I just don’t see it. I really don’t see Noike monopolizing at all… I just see someone who’s nature is to keep things organized and neat, and nobody in the house puts forth *enough* effort to stop her. (Japanese politeness and all that Bull…er, Red. Red Bull. Yeah.)Note: no need to reply to this one. I’m probably wrong, but it’s a moot point by now. T_T
Unfortunately, I must disagree. Noike sets the other cast members to work in the house, away from Tenchi. She then spends a significant amount of time alone with Tenchi under the pretext of nursing him. Now, I could accept that the Kagato-F part of her made him ill and the Noike part is doing good. However, even then, the Kagato-F side is played as a naive child, which makes this less likely. While I will agree that she is an organized person, she is still new to the household and readily takes command of affairs without asking permission or if others would mind her actions. That is not polite in the least.The “effort” issue likely speaks more to how the rest of the cast have had their characterization changed, as Chuck said above. The series 1 cast would likely not allow this stranger to begin ruling their home without discussion or argument.
For Washuu wrote:
evilpii wrote:
In episode 4, Seto says that Yosho sent word after Ayeka and Sasami had left to find him. Couldn’t she have contacted Ryu-Oh or the Guardians while the girls were in stasis to turn them around?
Bets Ayeka’s word is law on her ship. Logs’ prime directive? “Obey the girl with the whip.”
Ayeka is in statis and would not know until she returned to Jurai, and I would think her elders’ word would supercede the word of a “runaway girl”, as Seto said. Also, Ayeka is never depicted with a whip in the three OVA series, let alone dominant after series 1.For Washuu wrote:
evilpii wrote:
In episode 5, only Sasami’s combat is shown. Why not any of the others?
Because we already know everyone else is a badass, but seeing Sasami get down and kick around a GP officer is some awesome news!(And, speculatively, budget and episode-time constraints.)
As nice as Sasami fighting is, Ayeka has not been seen in combat since series 1 episode 6, and not in her combat attire since series 2 episode 5. This was an opportunity to showcase how mighty the characters are and how they handle a threat. It was disappointing to see all the confrontations essentially handwaved to mere dialogue footnotes. Also, considering everyone was pidgeonholed in the battle with Zed, this is even more disheartening. Even Tenchi and Ryoko, who did act against Zed, were pushed aside. The only actual combative actions in series 2 or 3 are the following:series 2 episode 3: Ryoko blocking the humanoid Masu
series 2 episode 4: Ryoko shooting hair needles at Zero, Zero nearly killing Tenchi- series 2 episode 5: Zero threatening Ayeka, Mihoshi avoiding
Shunga‘s weapons, Mihoshi shooting Clay’s robots, Tenchi wielding Tenchiken in Clay’s display, Zero threatening Clay, Washu punching out Clay - series 3 episode 1: Zed effortlessly destroying a fleet
- series 3 episode 4: Ryoko attacked by a marionette
- series 3 episode 5: Sasami versus Mashisu, Ryoko smashing up
Chobimaru, Zed attacking Earth - series 3 episode 6: Zed destroying the Moon, Zed worfing Tenchi, the battle in Zed’s flashback, Zed worfing Ryoko, Counteractor-Misaki strangling Tokimi and slapping Tsunami
As to budgetary constraints, the afterwards of Kajishima’s doujins have discussed “misappropriated funds”. As to episode length limitations, I reference
Geminar, where the episodes were 45-60 minutes long. Moreover, considering the time people were sitting and talking, more action would have been welcomed. For Washuu wrote:
evilpii wrote:
How is Ryo-Ohki both combating the Chobimaru and at the party aboard Tsunami?
101 crystals. I think the main one, the control crystal, is the one on the Tsunami – that’s why she’s reacting so much to the combat and why Washuu makes sure to keep her stable. (ie, gives carrot.)
I could accept that, given the multitasking comment above.For Washuu wrote:
evilpii wrote:
Since Tsunami is there, why is she not stopping the combat? While this does take dramatic emphasis off Misao and Mashisu, it seems unnecessary.
Hmm… maybe she wants Misao to confess, as well?
Their romance could be approached far more naturally, rather than staging the destruction of an expensive spaceship and rigging explosions. The drama seems artificial and unnecessary.For Washuu wrote:
evilpii wrote:
Who is the figure of light talking to Tenchi? While it seems to be Tenchi’s character design, his identity is not explicitly noted.
Generally, fans have considered him to be Tenchi-Kami. (This makes for an odd conundrum, though! Is God-Tenchi is somehow not confined in the human Tenchi? And does that mean that He has been watching all this happen and only comes down to interact with the situation at that one point when human Tenchi is overwhelmed by rising through the 11 dimensions? Curious, indeed!)
Unfortunately, this is still fan speculation, not fact. This being is not mentioned before the episode, nor after. In the +1 special, Tenchi still commands only three contiguous Light Hawk Wings, though he reconfigures them to have six wing-like extensions. I believe it is safe to assume that the being of light is connected to Tenchi since the character design is essentially his. However, the being could easily be a separate entity, perhaps one of the beings experimenting on the three goddesses, as Ryoko speculates in series 3 episode 6. It is not made clear in the episode.For Washuu wrote:
evilpii wrote:
Similarly, why does Misaki have the Counteractor aspect? She has never demonstrated any ability or predilection of this persona or power before. Even then, how is “other Tenchi” able to pacify and remove her?
AstroNerdBoy has a translation of an unanimated scene from ep. 6 It makes a little more sense of what you’re asking about. Misaki was always an oddball, and a powerful one at that.here.As for Tenchi pacifying her, I think it’s a Tenchi-Kami thing. I’d even go as far a speculating that it’s the first time Tenchi really connects with his godhood.
Reading that link and the
, the doujin only explains Counteractor-Misaki rampaging on Jurai, asking Tenchi to kill her while he is floating in time with Kagato-F. It does not explain how or why Misaki had this ability. Moreover, the being of light is not mentioned and does not appear.translation on the forumFor Washuu wrote:
evilpii wrote:
At the end of the episode, Noike and Fuku appear in the past, changing Mihoshi’s note as Zed had. While this does ensure the same sequence of events up to episode 5, Noike mentions that this will ensure that Fuku will meet Seina. How so?
Possibly… if it weren’t for the Chobimaru incident… the GP wouldn’t have bothered to try to recruit Tenchi? I dunno.
The GP do not attempt to recruit Tenchi, so I believe you mean Seina. I could see the GP seeing Ryo-Ohki destroyChobimaruand see it as a superior ship, thus making them want their own (i.e. Fuku). However, this circles back to how Washu would not create another. For Washuu wrote:
evilpii wrote:
While Nobuyuki mentioned that he found Masaki Kiyone’s (and Airi’s) script was in bad taste, why did he, among others, proceed with her black comedy? Considering Tenchi’s temperment, that seemed in very poor taste, as evidenced by Tenchi’s own reaction.
Dying wife’s wishes, I guess. It was her work, her gift, so it’d be pretty disrespectful to her *not* to use it as she asked.
I would hope that Nobuyuki would respect his son’s feelings enough to ease him into it, as he said he should have in retrospect when he and Tenchi are talking on the pier. Moreover, everyone seems to accept that she is a lunatic. There could have been a compromise that would not have spurred Tenchi to storm out.- June 22, 2014 at 9:51 AM
- in reply to: OVA3 / GXP
Recently, I rewatched all three OVA series back to back, and I noticed some rather notable inconsistencies between the different series. Below are lists of some of the issues I had while watching them together as a whole. OVA 1
In episode 1, the tree Funaho sends a message into space. To whom was that message sent? This is unlikely
Ryu-Ohas the Guardians state in episode 2 that they detected Ryoko. OVA 2
Whatever happened to Ryu-Oh? She was planted in the core unit in “Night Before the Carnival”, but she is never seen again in the entire series.
- In episode 4, Clay chooses to ignore his given mission to pursue Washu. What was his original mission?
- Moreover, D3 states that someone had already been assigned to retrieve Washu. Who was that? Wouldn’t that character interfere with Clay and Zero?
- In episode 6, Empress Funaho complains that Yosho had not sent word in 700 years. Does this not contradict Seto’s statements in series 3 about a secret communique?
- Washu says she will not create another Ryoko, or Ryo-Ohki-like warship by extension, and will not help anyone to do so. Doesn’t this rule out Fuku’s creation in GXP?
- Azusa had an issue with Yosho about him having a child with a Terran, but in series 3, he is married to Airi, who moreover states that she is Masaki Kiyone’s mother. Is this not a contradiction?
- In “Here Comes Jurai, Part 2”, D3 goes to wipe Clay and Zero’s memories. Why is this, considering that in series 3, Washu is fully realized as a goddess and fully aware of Tokimi’s existence? Would knowledge of Tokimi’s location already be known to her?
OVA 3
In episode 1, how can Ryo-Ohki get lost? As Washu said, she is the computer unit of a battleship. Also in series 2, Ryo-Ohki is shown able to levitate. Couldn’t she simply float up to see where she is, or go into space and find her home by herself?
- Rea is introduced as having existed in Tenchi’s life when he was a boy. If so, why is she not mentioned or seen in the series 1 flashbacks, considering her place in series 3 and even, debatably, Geminar?
- In episode 2, Noike is introduced as the adoptive daughter of Seto. Why would Seto adopt a fairly unremarkable GP officer, considering all the scheming that went into her proposed adoption of Mashisu? Even if she was privy to Noike’s contact with Clay, Zed, and Kagato-F(emale), why install her into the Masaki household on Earth? She seems far more of a threat than a boon.
- Why does Nobuyuki try to kiss passionately his own daughter? That seems very inappropriate, considering he is soon to marry Rea.
- Moreover, why does Airi try to kiss passionately her grandson, with her husband standing just a few meters away? Again, wasn’t Katsuhito’s wife Terran, spurring the issue with Azusa?
- Why would Ryoko, or even Kagato, be intimated by Airi or Seto? Ryoko is notorious for sacking and crushing Jurai’s defenses, and Kagato is known as the “Ruins Buster” and is eternally wanted by the GP. I have a hard time seeing either cowering in fear of a single Juraian woman.
- If so many children of Juraian lineage live on and leave Earth, why is Earth still regarded as “developing” or “protected”?
- In episode 3, Noike discusses the generations of Juraian trees and states that Ryu-Oh fought with Ryo-Ohki 700 years ago. Why wasn’t this spoken of in series 1, when Ayeka was introduced? Wasn’t Yosho the one to leave to fight Ryoko? Also, Noike states that the only first generation tree was Azusa’s Kirito, but wasn’t Funaho a first generation tree? Hence, Tenchiken is a first generation master key that can control Ryu-Oh in series 1 episodes 2 and 5?
- Moreover, why does Noike have Kyoko, a top-secret upgraded third generation tree? Presumably, this would be because of Seto, which emphasizes the question of why Seto would be interested in a no-name GP officer.
- Why is the Kuramitsu family so ready to go to war over Mihoshi? Admittedly, if Kuramitsu Mikami is so close to Seto, couldn’t a more diplomatic solution be given? Also, why is Marshall Kuramitsu Minami cackling like a lunatic and not listening to reason?
- Why does no one notice that Noike is purposefully monopolizing Tenchi, to the point that she seemingly has poisoned him for the purpose of ingratiating herself to him and the household?
- What happened to Mihoshi all those years go to make Misao so protective of her?
- In episode 4, Seto says that Yosho sent word after Ayeka and Sasami had left to find him. Couldn’t she have contacted Ryu-Oh or the Guardians while the girls were in statis to turn them around?
- If Seto could have gotten word from Yosho, couldn’t Ayeka and Sasami have sent word back after Yosho revealed himself? Why did it take until Azusa arrived unannounced before Jurai came to investigate? Moreover, if Earth was already well-known, wouldn’t it be the first place to look?
- In episode 5, only Sasami’s combat is shown. Why not any of the others?
- How is Ryo-Ohki both combating the Chobimaru and at the party aboard Tsunami?
- Since Tsunami is there, why is she not stopping the combat? While this does take dramatic emphasis off Misao and Mashisu, it seems unnecessary.
- In episode 6, Washu reveals her goddess aspect from the two gems remaining in Tenchiken. Why hasn’t she manifested this sooner, say when Kagato took her prisoner or when
Shungaimploded into a black hole? - Who is the figure of light talking to Tenchi? While it seems to be Tenchi’s character design, his identity is not explicitly noted.
- Similarly, why does Misaki have the Counteractor aspect? She has never demonstrated any ability or predilection of this persona or power before. Even then, how is “other Tenchi” able to passify and remove her?
- At the end of the episode, Noike and Fuku appear in the past, changing Mihoshi’s note as Zed had. While this does ensure the same sequence of events up to episode 5, Noike mentions that this will ensure that Fuku will meet Seina. How so?
- In the +1 special, Marshall Kuramitsu Minami is deposed by his sister, Kuramitsu Mikami. While I don’t disagree that he should be punished for his actions, how does she have the power to override him? Her place in the political structure is not explained in this series.
- While Nobuyuki mentioned that he found Masaki Kiyone’s (and Airi’s) script was in bad taste, why did he, among others, proceed with her black comedy? Considering Tenchi’s temperment, that seemed in very poor taste, as evidenced by Tenchi’s own reaction.
- Why are Rea and Noike the only ones allowed to console Tenchi? One would think that Ryoko or Nobuyuki might be better suited for the task, particularly as Ryoko watched over him when his mother died. Also, admittedly, it seems more Nobuyuki’s place as father to explain this to his son.
- Washu states that just as Sasami could beat Ayeka to Tenchi, Ryo-Ohki could beat Ryoko to him as well. While this might be in jest, that is off-color, even for Washu.
- According to Washu’s theory, Noike is a fragment personality from Kagato-F, who was picked up by Noike’s “mother”. Clay later sealed the Kagato-F side away, and Zed found and used her to spy on the household throughout series 3. Tokimi allows the other persona to speak, and Washu removes the seal, allowing them to fuse into one entity, much like Ryoko and Zero. How and when did Clay and Zed accomplish all of this? Wouldn’t Clay have mentioned a contingency plan or arrangement with Zed in series 2?
On a personal note, I did not enjoy seeing Ryoko, Ayeka, and even Mihoshi pigeonholed for most of series 2 and 3. Admittedly, Sasami and Washu deserved character development episodes, and even Noike as well. However, I do believe this came at a high cost to three characters who, arguably, are part of the core of
Tenchi. - June 13, 2014 at 4:46 AM
- in reply to: Homecomings, a fan fiction project
- June 8, 2014 at 11:53 PM
- in reply to: Tenchi In Tokyo Sequel!!!
Though brief, this segment puts a darker twist on the ending of Shin Tenchi Muyo. Instead of Tenchi facing Yugi as the series portrays, this prologue offers an alternate path, where the protagonist is returned to the high school. There, all seems well, until the climax of the piece, seemingly a betrayal. This is an interesting idea and could be pursued further. Is Tenchi in an alternate universe, perhaps a twisted dreamscape, or merely surrounded by an illusion? The flash of light does not immediately detail what has befell the teenage guardian of Earth, if he is actually mortally wounded or merely lead to believe it. Depending on the overarching plot, lots of avenues could arise and be continued.
There are a couple spelling and grammatical errors, but overall, the segment is a nice teaser for a larger work.
Tenchismile - June 8, 2014 at 11:45 PM
- in reply to: Mihoshi’s Date (16+)
This is another cute segment, particularly laden with commentary on Kiyone’s woes as a character on the show. I also appreciated Nagi’s brief appearance as the bartender. ^^v It also seems like Amagasaki got some action after all. ; While I am not well-versed in Pokemon, I did laugh at the commentary of both the author and Kiyone on the concept of the series.
kiyonesmile1 Looking at the character design, one does wonder if Kiyone found other work afterTenchi. And, the same holds true with Noike and Butch…
wth2 Still, the piece was short and fun, a quality “funfic”.
mmhmm1 - May 10, 2014 at 7:06 AM
- in reply to: One Visitor After Another: Hexagram of Love | 100%!
This novel continues from the end of OVA Series 1, starting on New Year’s Eve, six months after Ryoko’s release. With a cursory review of who the characters are, the reader is treated to a bash at the Masaki home. The opening scene has Ryoko and Ayeka vying for Tenchi’s affections with their confections, which showcases the ladies’ personalities quite well. Naturally, the young man himself tries to mediate before just escaping. Sasami stands out as the voice of reason, and Washu the voice of sarcasm.
Tenchi also has a more forceful presence in this work. He stops Ryoko from kissing him, breaking her heart and leading to one of the heartfelt exchanges in the novel. He demands that everyone stop railroading him into choosing a mate, breaking Ayeka’s heart in the process. The novel also focuses on his indecision and inexperience, which gives him a more rich character, as opposed to his nearly background status in many continuities. In both above situations, Tenchi immediately feels wretched for what he said and how insensitive it was, which the girls sometimes use to their advantage.
Notably as well, Tenchi can use the Light Hawk Sword rather readily, though he cannot completely control it. This makes the ending of the novel problematic for all parties involved.
Ryoko remains very blunt and brash as illustrated by her attempt to kiss Tenchi, as well as her confrontations with Ayeka and Azusa. However, these two scenes also illustrate that she has potential for deeper meaning. She wholeheartedly loves Tenchi and wants to be with him, despite her tactless approach. Likewise, she will stand against even Jurai’s “Divine Response Warrior”, or more simply “hitman”, for her own freedom and individuality. Coming directly off of her battle with Kagato, her attitude seems very well-founded.
Ayeka notably has a good deal of inner monologue. She deeply considers ruining Ryoko’s life by having her father make her permanently wanted, the pros and cons. She schemes to ingratiate Tenchi to her father, much to Ryoko’s dismay. She reflects on her behavior when dealing with Ryoko and her heartbreak over Tenchi. This all gives her a more cerebral presence, always analyzing and weighing her options. Yet, her main flaw is her rivalry with Ryoko and affection for Tenchi.
Mihoshi, however, has a fresh coat of paint. While she is a bit oblivious at times, she actually has some thoughtful musings, both in her own thoughts and with Washu, who is surprisingly very sympathetic to her plight. This does seem to reflect her characterization in Series 1 of an overworked officer, needing some respite.
Here, Washu seems much more of a mother figure, scolding both Ryoko and Ayeka for their behavior, before getting frustrated with them and storming out. She seems to fit this role rather well, being the most experienced and forward-thinking of the group.
However, the highlight of this work is Makibi Kiyone, Mihoshi’s dear partner, worried about her comrade’s fate.
She even harbors some jealousy against Mihoshi for all she has had been given. It was refreshing to see Kiyone in this setting, as well as learning more about her character, particularly some of her feelings towardMs. Hasegawa actually gives more background into Kiyone, stating that she was a Juraian commoner who joined the GP and has little love for her homeworld, but a particular hatred for terrorists. .Mihoshi and her homeworldIndeed, Kiyone’s lack of patriotism toward Jurai establishes a divide between the commoners and royalty of the world, a huge class gap. Rebel factions exist and would love to have a chance at the emperor and empress, familiar faces Azusa and Misaki. This interpretation colors Jurai as a less stable empire than the rest of the OVA portrays. Arguably, this seems more in line with the usurpation ofUniverse. The reunion between the ruling couple and their children is quite touching, portraying them as loving parents who are loved by their daughters. However, Azusa calls out Ryoko, and the confrontation between them is respectful and blunt. Ryoko says her peace about her involvement and swears she would rather die than be imprisoned again. Azusa admires her courage and absolves her of the crimes under Kagato’s control. He even welcomes her as a friend of the crown. As for Katsuhito and Tenchi, he welcomes them openly and without hesitation. This is very counter to his role in OVA Series 2, where he is very distant to Katsuhito and dismissive of Tenchi. He also appreciates his sake and loosens up very readily, much to his wife’s dismay.
Misaki, likewise, has different portrayal. She tries to save Ayeka embarrassment of her drunkenness. She comforts and protects Sasami when danger strikes at the banquet. Again, she is quite sensible in direct contradiction to her appearance in OVA Series 2. Admittedly, she seems more like Funaho in OVA Series 2.
Even Nobuyuki receives a great scene with Tenchi. Son confronts his father, asking him if he knew about Jurai. Not too surprisingly, he did, and the exchange between them was precious. Here, the architect shows some of his grief over the loss of his wife, Masaki Achika, and, moreover, his dedication to her by choosing not to remarry. This is an insight into his character reflects many of the feelings from
UniverseEpisode 9 and Tenchi Muyo! in Love. Marshall Kuramitsu himself makes a rather extended appearance throughout the half of the novel, wanting to meet with his daughter, as well as with Azusa. He more subdued in this work, rather than his ambitious and scheming portrayal in OVA Series 3.
Of another particular note is the new character Peter “Pete” Finlay of the Administration Department of the GP, saddled with preparing a banquet for the arriving dignitaries from GP and Jurai. He becomes rather interweaved into the plot, so to avoid spoilers, it is sufficient to say that he is an interesting character and cryptic. His relationships seem to focus mainly with Mihoshi, and to a lesser extent camaraderie and respect for Ryoko.
Overall, the novel was very enjoyable and jives very well with OVA Series 1. The literary style is notably similar to a drama script rather than a novel, leaving it feeling a bit bare. Also, there are some issues with knowing who is speaking. Yet, the dialogue really is where this work is at its best. The characters seem very true to their portrayals in the original six episodes, and I give kudos to Ms. Hasegawa for her work. Brava.
gendo1 And, thank you again to the translators. Barring a few capitalization and spelling errors here and there, the piece was splendid. Keep up the good work.
kiyonesmile1 - April 20, 2014 at 2:30 AM
- in reply to: The Tenchi Muyo Meme and [de]Motivational Poster Thread
For those who have seen The Winter Soldier. qt1 http://i1345.photobucket.com/albums/p661/evilpii/Manipulations/tenchi-hydra_zps884d757d.png " /> - April 5, 2014 at 2:37 AM
- in reply to: Jabberwocky Chamber Fanart
Jabberwockychamber wrote:^– Gorrammit, Tenchi.
Kiyofacepalm1 Jabberwockychamber wrote:
http://i58.tinypic.com/2zsrzoz.png" />
^– I dig the style used here, and I’m a bit curious about the symbology.Jabberwockychamber wrote:
http://i59.tinypic.com/1olz7q.png" />
^– Having Ryoko and Petrea meet each other would be a great treat.iloveit1 Jabberwockychamber wrote:
http://i59.tinypic.com/2hci4yg.png" />
^– They are very nicely drawn here, but what bummed them out?
Jabberwockychamber wrote:
http://i58.tinypic.com/244smip.png" />
^– Indeed, I really don’t know why this hasn’t been done. I’m curious if Tartakovsky used them as inspiration.Jabberwockychamber wrote:
http://i58.tinypic.com/28aosqf.png" />
^– Ryoko… Ayeka… what did you do?blush1 You have a very good art style. I’m very impressed. Please keep up the good work.
Tenchismile - April 3, 2014 at 12:44 PM
- in reply to: Tenchicast! No Need for A Tenchi Muyo Podcast
I’m in. Tenchismile