wwwwhhhhoooo

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  • wwwwhhhhoooo
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    ryokrazy? wrote:

    BOOBS. I mean, someone posted this right before i fell asleep. idk who. but, yeah…

    Hmmm…interesting story, mystery persons & whatnot. Maybe you just dreamed the whole thing up… 😉

    wwwwhhhhoooo
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    WisperG wrote:

    Lighthawk93 wrote:

    Yes to what?

    You only asked one yes or no question in there 😉

    They were given to him.

    I suspected as much, though personally I always read from that particular scene that Tenchi thought he got the one-up on his grandpa and stole (or, ‘borrowed’) the keys.

    When I first watched it, I thought Tenchi really pulled one over on the old man. But in hindsight, speculating on my end, I think Yosho knew Tenchi had obtained the keys, and seeing as how he was becoming an adult, decided to let him make his own decisions and mistakes (though it depends whom you ask if releasing Ryoko was truly a mistake other than it being unintentional on Tenchi’s part) and deal with the ensuing consequences.

    wwwwhhhhoooo
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    Lighthawk93 wrote:

    ^ I was thinking the same thing, but it was never stated how, tenchi didn’t even question how ryoko knew his name as if somehow he knew that she knew his name. Well, Noboyuki, how was she not able to get out? was it because Funaho used its roots to bind her or something?

    Yeah, well I’m sure Tenchi at some point wondered “How did she know my name?” but all things considered, he was dealing with a whole mess of other stressful details and mental strains to sort through at the time (why is there a demon chasing me? How will I get out of this alive? Why is the demon sexy? Am I secretly enjoying this? etc.) 😆

    For the latter, think JG gave a great answer:

    JGZinv wrote:

    It was a stasis/prison… if memory serves she was pretty much “dehydrated” from her energy and outside sources after Yosho took her last gem.

    She could float around after a very long time in her astral form because she collected a little energy, but not do anything else. Tenchi had to break the seal.

    I think the short answer here is she wasn’t kept at bay primarily by being physically contained as much as it was the fact Yosho somehow–whether it was entirely by removing the three gems or not, but likely imo–drained her of her strength/energy/life. Being imprisoned by the seal, she literally didn’t have the strength to free herself.

    However, as mentioned, she had been slowly collecting energy during this time (700 years, not much else to do) and forming her own “pseudo-gems” to replace the ones she had lost (these of course were imperfect imitations, but powerful nonetheless). Thus, by the time Tenchi freed her, she had collected a substantial amount of energy to regain her former strength (& youthful apperance) it’s just that she needed someone to let her out. *cue Tenchi’s entrance, stage right

    Again hits on the combining of sci-fi, fantasy and religious/spiritual elements (as seen in Tenchi In Love for example, Washu’s device gaining power from holy places) in a captivating way. How was Ryoko sealed away? Yes, by Yosho, Funaho, the gems & the master key…but did those Buddhist writings and seals have anything at all to do with it??? …

    wwwwhhhhoooo
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    chucklocker wrote:

    Sorry for the necropost, but I just wanted to let the people here know that on Saturday Oct. 20 (That’s THIS SATURDAY!) at 3:00pm eastern time, we will be recording the next Tenchicast which will be about Tenchi in Tokyo! There were some great topics and points brought up in this thread by people who clearly know their stuff and are passionate about this series, and I just wanted to let everyone know that you are all welcomed, nay, encouraged to take this opportunity to join in a conversation that will be heard throughout the larger fandom! If anyone needs info about how to go about joining the cast feel free to ask one of the mods or support staff.

    *BUMP* (ik how dare he?!) wthamiseeingplz

    Good point chuck

    wwwwhhhhoooo
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    Lighthawk93 wrote:

    Anyone else curious as how ryoko knew where tenchi went to school and how she knew where he lived?

    Good point. In those instances, I would say she followed him around & observed his routine during the 17 odd years he’s been alive prior to Ryoko being released. & by “followed” I mean using her astral projection, which we see alluded to in a flashback in ep 5 (ova)

    (Good “random” questions) :D

    wwwwhhhhoooo
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    dislike it much when you’re a few cars away in line from the stoplight, it turns green, but traffic is SO backed up ahead of intersection, you can’t move anyway.
    wwwwhhhhoooo
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    Kiyoka wrote:

    I would just, like most people here have negative things to say.. don’t know if I’ll turn up.

    Your call Kiyoka, you’re right in that we don’t really want to bash it or tear into it, but if you’ve got “constructive criticism” (yaaay cliches) I’m sure we all wouldn’t mind. It’d be nice to hear some differing opinions.

    wwwwhhhhoooo
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    Nobuyuki wrote:

    Quote:


    I can’t–I won’t, I refuse to lol–even begin to imagine how I would have turned out if my sole animation experiences growing up were from U.S.

    Hi there! 😉

    Just to be clear, I truly meant how I would have turned out, not implying that anyone w/o late 90’s, early 2000’s Toonami growing up must have inevitably turned out to be some wretched person wringing their hands in eternal remorse. 😆

    Exhibit A: Nobuyuki (you turned out alright)

    & yeah! You had Looney Tunes! Of course, as I’m now remembering, I had Looney Tunes as well. Pretty sure they still show them on tv. Why? Glory days of Good ol ‘Merican cartoon making! 😉

    *sorry, if I want to continue Looney Tunes/other cartoons talk, I’ll track down the appropriate thread

    wwwwhhhhoooo
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    Lighthawk93 wrote:

    I totally agree with what you just said wwwwhhhhoooo.

    [BBvideo 425,350]http://www.youtube.com/watch?v=yxO_jD-TFrM[/BBvideo]

    Well said Lighthawk all around, & though every generation can make the claim or would like to claim that ‘we’re special, we’re unique’ because of x, y, or z (& each one can, in some way I suppose) I genuinely believe there’s some significance in having seen Toonami in the ‘golden years’ on CN, because especially in the 90’s/early 2000’s before internet really took off, it truly was a stepping stone towards blending pop cultures and exposing western kids to art/ideas that seemed very different at first, yet after closer observation made us all realize how similar we all are in many ways.

    wwwwhhhhoooo
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    Isn’t it ironic how Tenchi is targeted at youth? It’s not out of place within its Japanese genre or its intended market at all, but Lighthawk is totally right from an American perspective–seeing the .gif swimsuits covering up full-frontal nudity–thinking “wow, why are they even trying to show this to kids?” Because an American show aimed at a younger audience…well, Ryoko’s cupcakes or anything equivalent would definitely be a no-no!

    What’s a shame to me, that I sincerely hope will change (slowly, but gradually) is how animated programs are marketed here in the U.S. In animation, from a producer’s standpoint, seems like there are only 2 markets: young children and adults (& of course “adult” having the connotation of low-brow, overtly sexual, etc.). Rarely is anything ever targeted at pre-teens, teens or young adults (well, much of anything with substance, imo). There’s virtually nothing inbetween. It’s either Dora the Explorer or Family Guy.

    I can’t–I won’t, I refuse to lol–even begin to imagine how I would have turned out if my sole animation experiences growing up were from U.S. Alot of anime (granted, we see the ‘good’ ones, there’s crude Japanese animated programs too, to be fair) is targeted at younger audiences (youth, teens, etc.) but they’re not condescending them; they’re not patronizing them. They give teens, in a geuine and sincere way, something every teen desperately wants and needs: they treat them like young adults. They don’t insult them with ridiculously simple plots, or one dimensional, cookie-cutter characters, or lame-ass, overused, fart/sex jokes. They’re rich, dynamic stories filled with passionate, genuine, unique, well-thought out protagonists, antagonists, antiheros and everything inbetween, fighting against personal anguish, moral dilemmas and societal/political crises that are on a level that, frankly, are some of the key reasons adults enjoy the series. They’re not hollow. They mean something. Certain shows become staples of people’s identities (why alot of us are here, in 2012, am I wrong?) and for good reason.

    It’s no wonder to me why people look at otaku, or general anime fans, or casual viewers of anime with a strange look of “Really? Why?” It’d be like if someone said “FAMILY GUY is my LIFE! It means sooo much to me!” I’d be like “Really? Why?” Sorry to rant, but maybe thinking of that will help the next time someone gives you flack for being an anime ‘nerd’/dork/whatever…pity them…pity the HELL out of them. 😉

Viewing 10 replies - 771 through 780 (of 1,191 total)